Art Exhibition of Renaissance Age †Free Samples to Students

Question: Discuss about the Art Exhibition of Renaissance Age. Answer: Introduction A museum curator has to play multiple roles in presenting the different aspects of the presented articles. Being a museum curator one has divergent responsibilities which include managing the museum, maintaining a record of documentation, managing the employees and event management and planning and other such responsibilities (Longair). The subject of the exhibition is to give the audience a complete overview of the art forms of the Renaissance period in the Fifteenth Century Italy. As a curator of the Two Rivers Gallery, it is my plan to organize an exhibit focussed on Italian Renaissance Art. The Renaissance age was the revival of the different art forms from the binds of the different middle ages and revived the ancient Greece-Roman art styles. Renaissance art was an amalgamation of the classical styles of presentation along with the modern scientific knowledge that was gained. Roles of Museum Curator The complete knowledge and command over the subject to present is seen as the prime responsibility of the museum curator. Their roles also take into account the different responsibilities like managing the different exhibits, keeping up and maintenance and assuring that the museum has its fair share of exhibits to display. It is also the responsibility of the curator that the exhibits are properly marked so that the general population visiting the museum have access to the information they want. The curator sometimes also does managerial tasks such as fundraising events, planning museum visits of important people and bringing in important artefacts to be displayed. The management of the different communication channels between the museum and the different stakeholders and also maintaining the exhibit related public relations. In small museum and galleries where the curator is the whole and sole responsible person, they have a responsibility that range from acquiring artefacts to thei r maintenance (Charlesworth). The curator is also the responsible person for the decision making on any artefact under his supervision if they are supposed to be exhibited elsewhere or transported. In the larger museums the curator is responsible for gathering the additional information about the artefact and conduct related researches so that the museum can acquire better related artefacts. In a number of larger museums, the tasks of the curator are diversified and distributed according to their proficiencies. In some cases, the curator accts as the collectors of the different artefacts that are to be exhibited (Gilmore and Ruth).Depending on the management of the museum the overall role of the curator may vary in the museum. A number of the responsibilities include the management of records of acquisitions, event management of different exhibitions, planning management and execution of different acquisitions. The curators have the handle the different communication channels from the stakeholders, management and clients (Edson and David). They also have to maintain contact with the local governing and the legal bodies to ascertain funding and keep out of disputes. As a number of different skills are required for the job of the curator, they are expected to possess a number of skills that include an acute knowledge of art, ability of observing details, methodological and organizational skills among others. It is also expected of a curator to have excellent communication channels (Kotler and Kotler). The overall variety od abiolities to be demonstrated by the curator may make the task tough for him and affect their overall performance. The curator should have all the above mentioned characteristic to arrange an exhibit of the art in the organization. The core theme of the exhibition as discussed previously would be Renaissance: Revival of the Classical Era. The renaissance saw a revival of the ancient Greek form of the representation of art which led to a revolution in the art and literature of the age. The paintings and the sculptures of the age though heavily depicting the religious context of the texts relied on the different religious context of literature. The use of colors and the major use of the darker shades were an exemplary feature of the era. For the exhibition 5 works of the remarkable artists of the era are presented. Magdalene Penitent by Donatello Description: This statue Mary Magdalene in a state of penitence. Like all the major works of Donatello the stature presents extreme realism and it has a rather realistic portrayal of Magdalene opposite to the common belief and portrayal of the age. Description: It is one of the first major works by Da Vinci. The depiction is of archangel Gabriel informing virgin Mary of her mother hood. The depiction in the art shows a great influence of the age and master Andrea del Verrocchio. Description: The picture is one of the two attributed to Da Vinci Showing Madonna, Christ, John the Baptiste and Gabriel. The said version has to be requested from the Louvre for the presentation. The painting has a rather realistic depiction of the children. Description: It is one of the great works of the Painter Sandro Botticelli which depicts the seven circles of hell as presented in the great work of Dante called inferno. There have been many other depictions of Dantes seven circles of hell but none with Botticellis detailed approach. Description: the portrait by Michelangelo shows the creation of Adam and the start of mankind. It is one of the best representation of the biblical depiction and exemplifies Renaissance art. Conclusion Thus from the above research the different roles of the curator is understood in the purview of the responsibilities bestowed on them. The paper also takes into account the diverse capabilities that the curator should possess to be able to shoulder the responsibilities they have. The Renaissance age is one of the most popular ages in the general population which will help in publicising the event easily and inviting a wider array or audience for the event. References Charlesworth, J. J. "Curating doubt."Issues in curating contemporary art and performance. Ed. by J. Rugg and M. Sedgwick. Bristol, UK: Intellect Books(2007): 91-100. Edson, Gary, and David Dean.Handbook for museums. Routledge, 2013. Gilmore, Audrey, and Ruth Rentschler. "Changes in museum management: A custodial or marketing emphasis?."Journal of management development21.10 (2002): 745-760. Kotler, Neil, and Philip Kotler. "Can museums be all things to all people?: Missions, goals, and marketing's role."Museum management and curatorship18.3 (2000): 271-287. Longair, Sarah. "Cultures of Curating: The Limits of Authority." (2015): 1-7. "Botticelli's Map Of Hell: La Mappa Dell'inferno."Florence Inferno. N.p., 2018. Web. 17 Apr. 2018. "Michelangelo's Creation Of Adam - Italianrenaissance.Org."ItalianRenaissance.org. N.p., 2018. Web. 17 Apr. 2018. "Penitent Maddalen By Donatello."Claude Monet. N.p., 2018. Web. 17 Apr. 2018. "The Annunciation By Leonardo Da Vinci."Italian Renaissance Art.com. N.p., 2018. Web. 17 Apr. 2018. "The Virgin Of The Rocks - By Leonardo Da Vinci."https://www.leonardodavinci.net. N.p., 2018. Web. 17 Apr. 2018.